Eating my Vegetables

It began in one of the workshops I’ve been teaching at Gage Academy in Seattle. It’s a big jump to go from learning about the paints to doing a landscape, even from a photo, so I’m always looking for ways to bridge that gap. One day I brought in a few items out of my fridge. I asked each person to pick one, place it on a white sheet of paper and point a small desk lamp at it. Then I gave a demo:

Class kale (674x1024)

Class kale, watercolor on paper, 11″ x 7.5″

There’s something humble and unassuming about some leaves of kale.

I’m fond of saying that often people draw the Platonic “class” of an object instead of the “instance” that is there in front of them.

Or, as fellow vegetable-loving painter/instructor Lisa Goren says, “I always use chard for my teaching. I use it because, unlike flowers, [students] don’t have as fixed an idea of what it looks like in their heads. So I think they look more carefully and are more focused on the task rather than the outcome.”

Chard (1024x759)

Swiss chard, watercolor on paper, 11″ x 15″

Our correspondence about this shared pedagogy made me think hard about why I am finding painting vegetables so liberating.

There are relatively few examples of “Great Vegetable Works from Art History”—whereas try to paint sunflowers and a whole famous field’s worth is glaring at you!

Red Leaf (753x1034)

Red leaf lettuce, watercolor on paper, 15″ x 11

It’s hard to get to over-invested in painting a vegetable—compared to, say, a beautiful landscape you’re sentimental about. Since you don’t have so many hopes and expectations attached to it, you paint more freely and the results are fresh. (Mind you, they still require careful observation!)

Long radishes (1024x767)

Long radishes, watercolor on paper, 11″ x 15″

Or maybe it’s a jolie laide or underdog thing? Even in the foodie world they’re usually not the star of the meal…

Artichokes (1024x757)

Artichokes, watercolor on paper, 11″ x 15″

Perhaps it’s also my own semi-conscious interest in getting people to look at what isn’t conventionally considered “art worthy.”

Plus I get to eat them afterwards… Or at least most of them:

Lungwort Lichen (1024x751)

Pulmonaria lobarium, watercolor on paper, 11″ x15″. Lungwort lichen is a vegetable to the deer and moose that browse on it!

[Note: a number of these small paintings will be in a solo exhibit at the Food Art Collection opening July 14. Rather than traditional framing and glazing–which just didn’t feel right when I hope they end up in people’s kitchens–they are mounted on panels and coated with epoxy–so the spatters from frying up those potatoes can be wiped off!]

 

 

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3 comments on “Eating my Vegetables

  1. […] to none of my other work, but enjoyable and satisfying. Come see what we serve up at the opening! (See this meditation on why here.) Top: Swiss Chard, watercolor on paper, 11″ x 15″ Bottom: Long radishes, watercolor on […]

  2. KATHERINE K BARBER says:

    These are all so great, and I feel privileged to have watched them come into their own. I also love what you have written about them. I am sure that they will go like “hot cakes”, no foodie puns intended…

    How about showing them to some cookbook writers…

    Kate

    “There is more than one way to do everything!” Sent from my iPad

    >

  3. sandyhaight says:

    I love these veggie paintings! You are on to something wonderful, fresh like a salad, and new!

    Sandy

    From: Rosemarys Blog Reply-To: suzeart Date: Wednesday, June 19, 2019 at 4:28 PM To: sandy haight Subject: [New post] Eating my Vegetables

    WordPress.com Suze Woolf posted: “It began in one of the workshops I’ve been teaching at Gage Academy in Seattle. It’s a big jump to go from learning about the paints to doing a landscape, even from a photo, so I’m always looking for ways to bridge that gap. One day I brought in a few ite”

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