Our pandemic days call for superpowers of persistence, patience
and kindness. Pass those gifts on!
In the Rear-View Mirror:
I’m once again happy to be part of Mighty Tieton’s 10x10x10 competition; it’s up until 10/10/21 (do you suppose that date was on purpose?!) (Tieton WA)
I’m pleased to have received an Honorable Mention in Lynn Hanson Gallery’s annual ICON show, the show remains up until 9/25 (Seattle WA)
In August, I taught a second weekend workshop for Gage Academy at the Bloedel Reserve with a great group of people. I’m planning on teaching an in-person indoor class in the second half of October, exact date still TBD—as is the in-person part…
Right in front of us:
As part of David Wagner’s Environmental Impact II exhibit, my installation “State of the Forest” has been touring locations around the US. It is currently at The Bateman Centre in Victoria, BC. I will be there to talk to gallery visitors and give a talk on 9/25, its last day. (Victoria BC)
One of my favorite burned trees not only received the Festival Award at the Anacortes Arts Festival but sold. One of the several prizes it garnered was an exhibit at the Kirkland Public Library through a cooperative program with the Kirkland Arts Center. Last year I used lockdown time to paint a 21.5-foot burned tree, and I’m thrilled to finally have it in public view. The library has a reading list and a virtual panel with me and some of my collaborators planned for 7 pm October 19. (Kirkland WA)
Coincidentally, the City of Auburn’s Art on Main program is showing a digitally-printed fabric version of the same tree, in a different orientation, in a downtown storefront. (Auburn WA)
The Art Gallery of SnoValley still has some landscapes of mine now through September. (Snoqualmie, WA) ART GALLERY OF SNOVALLEY – HOME. (Snohomish WA)
Gage Academy where I teach a weekend workshop once a quarter or so has an online exhibit by students and faculty called Portraits of the Pacific Northwest Exhibition & Art Sale now through 10/18 (online and Seattle WA)
On the book arts front, I have work in several exhibits: Puget Sound Book Arts membership exhibit at the University of Puget Sound Collins Library (Tacoma WA) and Movable Medley at the Art Students League until November 7 (Denver CO). After the PSBA membership exhibit, which ends Oct 1, Lucia Harrison’s Science Stories will occupy the Collins Library. All the pieces are part of my lengthy obsession with bark beetles—if their chewed trails look like an unknown script, what better form than a book?
The Louisiana Art & Science Museum’s show, “Iridescence,” runs until Jul 31, 2022, and includes my painting De-Limbed. (Baton Rouge LA)
I remain incredibly excited about Below the Bark at the Missoula Art Museum opening Oct 1-Feb 26, 2022. Together with printmaker Tim Musso and painter/photographer/book artist Jim Frazer, our exhibit will open on art walk night and we will also deliver a public lecture Oct 4. I’m excited that, among other things, it will be part of a statewide STEM/STEAM program for fifth graders. I will also be a Visiting Artist at the University of Montana Missoula, where I will offer a workshop for art and forestry students and faculty. Entirely coincidentally, State of the Forest will be opening as part of “Environmental Impact II” Oct 8 at the Museum of the Rockies (Bozeman, MT).
The Confluence Gallery has an upcoming show, “Something in the Wind” Oct 2 – Nov 13. It will include two of my burned tree paintings. (Twisp WA)
Also ahead, CoCA’s membership exhibit will include my 2020 burned tree Seamed Nov 4 – Jan 15, 2022. (Seattle WA)
And finally I am supposed to be an artist in residence at Centrum in November. (Port Townsend WA)
And then again, who knows in what form these events will take place?
Whatever form they take – as-planned, virtual or postponed – I wish you all good health!