Midpoint

I’ve been here two weeks now. Because I have to drive into town to get sufficient bandwidth to post photos, my blogging is confined to grocery/laundry trips to Columbia Falls.

I have gotten oriented to the Lake McDonald valley area, done seven hikes and produced 13 paintings. Most are too tight — it’s clear to me I’m not yet fully at ease in the environment. (Forgive the low photo quality; I didn’t bring that equipment with me.)

Suze Woolf watercolor painting

Falls above Avalanche Lake

A theme is emerging – not surprisingly, my new knowledge of the Park’s centennial history, combined with the number of visitors I see on the roads, trails and in the lodge, and walking through burned-over areas suggests juxtaposing iconic tourist views with burned forests in the foreground. This is change writ large. In a sense, I’m returning to my Banff Centre work, back to the entire landscape and not individual burned trees.

Suze Woolf watercolor painting

Robert Fire Panorama

Suze Woolf watercolor painting

Up St Mary Valley (Reynolds Creek Fire)

You would think I would know by now, but I’m still surprised that themes emerge as a result of walking in nature. It’s almost like I need so many miles for reflective thinking – even though while walking I’m not aware of “deep thoughts,” just “find the right aerobic pace,” “is there a bear around the next corner,” “how much farther is it,” and “this is just gorgeous..”. If anyone ever asks me about artist blocks, I’ll just tell them to start walking.

 

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Look out, lookouts

It strikes me as ironic, for someone who paints burned landscapes and trees, that so many of my hiking destinations are decommissioned fire lookouts. For nearly 100 years land managers tried to suppress fire; the lookouts were a distant early warning line in the pre-cost-effective aviation days. Correspondingly they always have magnificent territorial views and usually represent a respectable work-out to get there. The combination of beauty, vastness and isolation — plus a little pay — created a sort of artist residency of its own (cf. Jack Kerouac, Gary Snyder et al.)